Category: writing

  • Getting Political

    Getting Political in the Neoliberal City: Planning and Design for Social and Environmental Justice
    Editors: Burcu Yigit Turan, Melissa Cate Christ and Cristina Cerulli
    London: Routledge

    We are very excited to announce the publication of our edited volume, ‘Getting Political in the Neoliberal City: Planning and Design for Social and Environmental Justice’!

    Many thanks to my co-editors Cristina Cerulli and Burcu Yigit Turan, all of the chapter authors (Alexandra Crosby, Ilaria Vanni, Catherine De Almeida, Angela Gigliotti, Doris Gstach, Evelyn Kwok, Caio de Azevedo Barros, Gerônimo Leitão, Johan Pries, Claudia Seldin, Socrates Stratis and Almut Wolff), as well as the team at Routledge Taylor & Francis Group for making this book a reality!

    Abstract:
    In a world defined by ever-deepening crises—climate, social, economic, and political—urban spaces emerge as both battlegrounds of injustice and the arenas of possibility. Getting Political in the Neoliberal City interrogates the roles of planners, architects, designers, and urban citizens in challenging the pervasive inequities of neoliberal urbanism. Drawing from critical case studies spanning continents and disciplines, this volume reframes the intersections of spatial and social justice to illuminate how space becomes a site of power, exclusion, and potential resistance.

    Through incisive essays and reflective scholarship, this book explores how cities are shaped by market forces and neoliberal governance, yet also serve as sites for insurgent practices at various scale, grassroots movements, and alternative imaginaries that resist dominant modes of urbanization and claim just ways of making cities. Highlighting the emergencess of new epistemologies, subjectivities and critical agencies, Getting Political in the Neoliberal City calls for a transformative rethinking of urban and environmental planning, design, and citizenship.

    Featuring contributions from scholars and practitioners in diverse fields, including architecture, geography, political science, and anthropology, the book maps the tensions between depoliticized scholarly and professional practices and the urgent need for politicized action. With compelling examples from Australia, Brazil, Cyprus, Denmark, Germany, Hong Kong, the USA, and Sweden, this book offers fresh insights into ongoing research on the struggles for more equitable, inclusive, and environmentally just cities. It also provides opportunities to understand the historical contextuality of each case and to reflect on the nuances, similarities, and global connections between different cases across different geographies.

    Getting Political

    For more information on the book, and to purchase and read a copy, please head here.

  • Inside out

    Inside out: a guide to squatting Hong Kong’s public spaces
    SD3562 Environment & Interiors Design Studio – Year 3
    School of Design, Hong Kong Polytechnic University
    Spring semester, 2015
    Instructor: Melissa Cate Christ

    This third year undergraduate Environment and Interiors Design studio aimed to engage students in the design of situated tactical ‘interior’ interventions in the ‘exterior’ urban landscape by drawing on their first-hand experiences of an informally occupied urban environment. Please see the 2016 article ‘Inside Out: Applying Experiential Learning During the 2014 Hong Kong Protests to an Urban Environmental Design Studio Context’ for more detailed information.
    Inside out
    FIGURE 1. Transforming infrastructural spaces into places for living during the HK Protests, Sept 26-Dec 15, 2014 HK. Clockwise from top left: Walking from Central to Causeway Bay, Oct 1; Steps over highway divider, Nov 14; Recycling station at Legco camp, Oct 31; early morning domestic scene, Oct 21; Legco women’s public bathroom with shared/donated toiletries, Oct. 31; and campsites under the highway overpass, October 31. Photo credits: Melissa Cate Christ

    From the studio brief:
    As evidenced by the transformation of public infrastructural spaces into dynamic living environments during the 2014 Umbrella Movement, Hong Kong’s urban landscape has the capacity to contain and house a large number of people and provide for their needs, from the essential to the environmental to the socio-political. Beyond evaluating the success or failure of the Movement’s political demand for ‘true universal suffrage’, the occupation reinvigorated a cultural awareness regarding HK’s perpetual spatial inequality and degraded living environment. The tactical and nuanced occupation of primary and liminal spaces previously (and now, again) devoted to cars or restricted by rules and regulations to single uses is seen by this studio as a provocative starting point to imagine tactics for the multifunctional reprogramming of Hong Kong’s inbetween, abandoned, and underused or single-use public spaces.

    Questions the studio poses include: How can we use design to exploit the climate, public service landscape and structural density of the city? How are interior programs transposed to exterior spaces, or How do we live in exterior spaces? What are the basic necessities that are needed to transform an exterior space into an interior space? How are public spaces (eg stairs, sidewalks, alleys, parks, waterfront etc) used now as ‘living spaces’ and how can they be modified to allow for a higher density of living/working/eating/sleeping or How can more people occupy/inhabit the so-called limited space we have in HK? How can the design of exterior spaces as hybrid, camouflaged interiors serve to address social, cultural and environmental issues?

    This studio will problematize, explore and design for and within hybrid ‘inside out’ places. Both the practical and minimal provision of basic human needs, as well as cultural and social practices such as camping, street sleeping, goods storage and delivery, waste disposal and collection, hygiene and eating will be studied to identify and map these often ignored spaces in order to form a catalogue of their typical characteristics and locations. Students will then select typologies and a location to present their design approaches, installations, layouts and structures. The intent is to polemicize broader issues and questions about the use and potential of shared spaces in the city in order to create a better and more equitable living environment for all sectors of society.

    Inside out
    Student analysis and documentation of needs, materials and sources for living outside based on both first hand experience and site and contextual analysis. Diagram credit: HK PolyU SD3561 2015 students

    Inside out
    This student project sites a live/work artist studio in an underused alley to take advantage of existing overhead shelter and nearby public toilet. Image credit: Wong Shu Ting

  • Hong Kong Detail Catalogue

    Hong Kong Detail Catalogue
    MLA1 Spring 2012 ▪ ARCH 7105 Landscape Technology 2

    OVERVIEW
    As the second of two core landscape technology courses offered within the MLA curriculum, Landscape Technology 2 further investigates issues of site engineering, technology and construction, looking at typical and innovative landscape construction materials, methods and applications in the context of the urban environment. The course situates the built landscape, its cultural and environmental determinants and the resulting impacts of material extraction, sourcing, fabrication, installation, maintenance and disposal in relationship to the design and detailing of the urban landscape. The course readings and lectures are complemented by a multi-part research project which initially maps, catalogues, researches, and documents Hong Kong’s everyday public infrastructural details and assemblies.

    Term Project: HONG KONG DETAIL CATALOGUE
    With some of the densest urban areas in the world, Hong Kong has relied on the application of advanced landscape and infrastructure technology (eg land reclamation, detailed and exhaustive geological surveys, extensive public transportation investment) to further its geographical, topographical, and financial expansion. However, in the midst of billions of dollars spent on large scale infrastructural projects, many of the city’s public spaces are detailed, built, and maintained to a seemingly minimal standard. In this multi-part project, we will map, catalogue, research, and draw Hong Kong’s everyday public infrastructural details and assemblies. After the investigation of relevant case studies, each student will design and document a new detail assembly which improves both the functionality and aesthetic quality of a standard detail insertion and by extension, the entire network of infrastructural insertions. The project will be divided into four parts: 1) Typological documentation and mapping; 2) Detail construction research and drafting; 3) Case Studies/precedent research; 4) Design adaption and composite drawing. The four parts of the project will be compiled into a booklet to be submitted at the end of the term.

    The research and documentation from all of the students from the first part of the project is compiled on this open access Google Map.

    Please also see my article ‘Evidence of action: Towards an ecology of objects’, which places the student projects into a larger pedagogical framework.

    Typologies studied include:
    Curbs / Retaining walls/ Cut Slope stabilization / Fill Slope Stabilization / Handrails / Guardrails / Sidewalks / Benches /
    Stairs (at grade) / Drains / Water features / Tree pit/at grade planter / Planter (above grade) / Rubbish bin / Light standard (pole lighting) / In-grade/in-wall lighting / Bollards / Bike paths / Bus stops / Tram Stops / Ramp (intersection) / Crosswalk & pedestrian overpass / Pergola/trellis/canopy / Bike rack / Road signs

    The project below exemplifies the methodology and products of the term project (all image credits to Monica Lin)
    PART 1: Typological Documentation & Mapping( learning to see); PART 2: Typology Detail Construction Research (learning to research & represent) PART 3: Case Study/precedent & PART 4: Design adaption and composite drawing


  • book chapters

    August 26, 2022
    Hong Kong’s Urban Renewal Fund: A Step towards Citizen-driven Placemaking?
    Edited by Im Sik CHO, Blaž Križnik, and Jeffrey Hou
    Melissa Cate Christ and Hendrik Tieben

    We are excited to announce the publication of ‘Hong Kong’s Urban Renewal Fund: A Step towards Citizen-driven Placemaking?’, a chapter written by Melissa and Hendrik Tieben in the new book Emerging Civic Urbanisms in Asia: Hong Kong, Seoul, Singapore, and Taipei Beyond Developmental Urbanization, edited by Im Sik CHO, Blaž Križnik, and Jeffrey Hou. Please find the chapter here, the abstract below and more information about the book (and how to purchase it) here.
    book chapters
    Abstract
    This chapter investigates the relationship between Hong Kong’s Urban Renewal Fund (URF) and citizen-driven placemaking (CDP). The URF was launched in 2011, in response to growing public concern about projects undertaken by Hong Kong’s Urban Renewal Authority (URA). After discussing the evolving relationship of civil society to redevelopment and the background of the URF, the chapter presents three funded projects that utilize CDP approaches. The chapter examines the institutional frameworks and actors, and the achievements and limitations of CDP in the context of this state-sponsored programme. It also addresses prevailing contradictions between the small-scale, citizen-driven projects supported by the URF, and the large-scale redevelopment projects undertaken by the URA, as well as their implications for future civic urbanism in Hong Kong.
    Keywords: Hong Kong, Citizen-Driven Placemaking, Community Building, Public Space

    February 16, 2021
    Ambiguous Topologies of Public Open Space in Hong Kong: Stairs, Alleyways, Sitting-out Areas, Parks, Playgrounds, Privately Owned Public Spaces and Vacant Lots
    Interstitial Hong Kong: Exploring the Miniature Open Spaces of High-Density Urbanism (Jovis), p. 80-97
    Ed. by Susanne Trumpf, Xiaoxuan Lu and Ivan Valin
    Melissa Cate Christ and Andrew Toland
    book chapters
    We are pleased to announce that Ambiguous Topologies of Public Open Space in Hong Kong: Stairs, Alleyways, Sitting-out Areas, Parks, Playgrounds, Privately Owned Public Spaces and Vacant Lots, a chapter written by Melissa and Andrew Toland, has been published in the book Interstitial Hong Kong: Exploring the Miniature Open Spaces of High-Density Urbanism, edited by Susanne Trumpf, Xiaoxuan Lu and Ivan Valin. Please find an except from the chapter below and more information about the book (and how to purchase it) here.

    In the densely-occupied, hilly urban areas of Hong Kong Island, public open space is limited and often fragmented. By necessity, these scarce spaces are multifunctional, resisting normative and typical categories of classification. Every in-between space that does exist is often a site of occupation, processes, flows, materials, wastes, and daily routines that are undertaken by both human and non-human actors. These spaces comprise a complex, mostly contiguous, network of streets, alleys, stairs, plazas, parks, Sitting-out Areas, Rest Gardens, Children’s Playgrounds, privately-owned public spaces and passageways, overhead walkways, underground tunnels, terraces, planter beds, drainage channels, and even vacant parcels of land. Of these spaces, only some are labeled and maintained by the government as public “open space”. This latter type of official space, categorized as Parks, Children’s Playgrounds, Sitting-out Areas, and Rest Gardens (the latter two being the focus of this publication), have signposted rules and sometimes full-time attendants and/or cameras to enforce what is allowed (or not) in these, often tiny, fragments of land. However, the practices in these spaces are not limited only to “allowed activities”, and the allowed activities are not limited only to these spaces. In fact, some practices are common to all of the parts of the more loosely defined open space network mentioned above, whereas others seem to be more unique and localized.

    It is often difficult to distinguish which type of space one is occupying through its formal classification alone. In such dense, over-built, and often vertiginous conditions, spaces have a tendency both to bleed into one another, but also to be interrupted and disjoined in unexpected and surprising ways. Fully comprehending the ways in which human and non-human actors use, maintain, and occupy this system, requires an understanding of the complex connections between the spaces and the actors within those spaces; and their participation in both the local and wider open space network. This chapter explores the topology of these actors and sites within the larger network of public open space, highlighting the ambiguity of their formal classification and focusing on the practices which connect or disconnect many of these sites.

    November 09, 2020
    Magic Lanes: A placemaking approach for alley spaces in Hong Kong
    Asian Alleyways: an Urban Vernacular in Times of Globalization (Amsterdam University Press), p. 181-205.
    Ed. by Marie Gibert-Flutre and Heide Imai
    Melissa Cate Christ and Hendrik Tieben
    book chapters
    We are pleased to announce that Magic Lanes: A placemaking approach for alley spaces in Hong Kong, a chapter written by Melissa and Hendrik Tieben, has been published in the edited volume Asian Alleyways: an Urban Vernacular in Times of Globalization, Ed. by Marie Gibert-Flutre and Heide Imai. Please find the abstract below and the full chapter here.

    With one of the highest population densities in the world, Hong Kong suffers from a lack of public open space. Despite this situation, open spaces provided by government authorities or private developers often do not meet residents’ needs or include residents in the planning and design process. To explore one way that this issue is being addressed, this chapter describes an ongoing placemaking project within Hong Kong’s interstitial network of laneways (里) and alleys (巷). The key historical, sociocultural, and physical features, opportunities, and constraints of these in-between spaces are discussed. This is followed by an in-depth exploration of the case study Magic Lanes, a pilot project that aims to provide more inclusive public open spaces through placemaking and community co-creation.

    November 02, 2019
    DigitalXPlace published
    Placemaking Fundamentals for the Built Environment (Palgrave Macmillian) Ed. Dominique HesCristina Hernandez-Santin.
    Andrew Toland, Melissa Cate Christ, Julian Worrall

    We are pleased to announce that DigitalXPlace, a chapter written by Andrew Toland, Melissa and Julian Worrall has been published in the edited volume, Placemaking Fundamentals for the Built Environment (Palgrave Macmillian) Ed. Dominique HesCristina Hernandez-Santin. Please find the abstract below and the full chapter is available here.

    book chapters
    Digital placemaking is a term given to a range of evolving practices that combine emerging digital technologies and placemaking initiatives. Over the past five years, its meaning has significantly shifted as a result of the proliferation of smartphones as mobile technological platforms and the ubiquity of social media. This chapter aims to move beyond the current fashionability of both the ‘digital’ and ‘placemaking’ discourses to provide a critical consideration of various ways in which technology is shaping social-spatial design, research, and practices and vice versa. It considers a number of diverse cases in which urban situations and digital technologies have intersected. Ultimately, however, we argue that the techno-social matrix through which we currently perceive and understand the city is now already deeply suffused with digital media and tools, raising a question as to what the adjectival modifier ‘digital’ actually illuminates. This requires us to refocus our attention back towards the making of places with the most effective tools available, which will inevitably involve a mix of the analogue and the digital.

    Keywords
    Digital placemaking; Crowdsourcing; Community mapping; Participatory design; Post-disaster; Temporary urbanism .

  • articles

    Sidewalk Stories
    Melissa Cate Christ and Tom Oliver Payne
    Kerb 32: Unsaid

    Melissa and Tom are excited to announce the publication of their photo essay ‘Sidewalk Stories’ in Kerb 32: Unsaid. The text is complemented by Tom’s photographs of the Inner West neighborhood of Dulwich Hill. The aim of the piece was to document everyday moments which are often overlooked or unnoticed, but which provide a window to understanding the human and non human occupation of the places in which we live.

    More info about the issue, the other articles, and a link to purchase the magazine from Uro Publications can be found here.

    articles

    Documenting topographic ecologies in Hong Kong
    Recombinant Ecologies in the City
    Ed. by Ilaria Vanni and Alexandra Crosby, Visual Communication 2020-8 19(3), p. 391-414.
    Andrew Toland and Melissa Cate Christ

    We are pleased to announce that Documenting topographic ecologies in Hong Kong: visual methods for hyper-dense and hyper-topographic urban spaces in landscape architecture, an article written by Andrew Toland and Melissa Cate Christ, has been published. The article appears in Recombinant Ecologies in the City, a Special Issue of the journal Visual Communication (Volume 19 Issue 3, August 2020). The issue was edited by Ilaria Vanni and Alexandra Crosby. Please find the abstract below and the article (unfortunately closed access – get in touch if you would like access) here.
    articlesStill shot from Pottinger Street 360 film by Nicholas Buechi. © Nicolas Buechi.

    This article draws on experiments with techniques of visual documentation and representation in circumstances of topographic intensity in Hong Kong. Centrally, the authors ask: how can approaches to visual representation reveal or reframe assemblages of material and immaterial processes in hyper-dense and hyper-topographic urban landscapes? The shaping and reshaping of the ground are essential parts of the formation of recombinant ecosystems, especially in intensively built-up environments – the constant reconfiguration of materials and spaces continually brings into being new ecological conditions. However, the visualization and representation of these transformations are often absent from the repertoire of techniques used to map and understand urban processes. This article addresses how landscape architecture can continue to develop methods to record, represent, visualize and design recombinant ecosystems in our urban environments. It considers which tools and techniques might provide ‘thickened’ understandings of hyper-dense, small-scale and intensely topographic urban environments like Hong Kong, with the objective of assisting designers and planners develop new ways to understand and see public space that can address the human and more-than-human nuances of complex urban spaces over time.

    editorial
    A path to increasing food security in Hong Kong?
    Food sovereignty, food waste reduction, and local food production
    Ming Pao Weekly (in Traditional Chinese)
    November 21, 2016

    Melissa has published a short editorial in the Hong Kong magazine Ming Pao Weekly advocating for the need to address food insecurity in Hong Kong. The full text is below or you can read it online (in English) here. articles
    Choi Yuen Farm Photo credit: Melissa Cate Christ

    Ranked high on Nomura’s 2010 Food Vulnerability Index (7th of 80 countries), and with 4.4% of GDP spent on food imports (the highest in the world), Hong Kong’s food security is an area of concern and focus by government bodies, academics, NGOs, and local businesses and entrepreneurs. Food security is defined as the right of “all people, at all times, [to] have physical and economic access to sufficient, safe and nutritious food to meet their dietary needs and food preferences for an active and healthy life” (FAO, 1996). The availability of food, either through local supply or imports, along with physical and economic access to food and the ability to utilize food both safely and nutritionally, are the three primary dimensions of ensuring food security.

    In Hong Kong, we rely on imports for over 90% of the food which our 7.2m people eat each year, putting the city at a high risk of food unavailability given conditions such as disaster events, climate change, population increase or political and social unrest that can restrict exports to reserve food for local populations, or disrupt supplies from international trading partners. Top importers include China, USA, Brazil and Japan, followed closely by Australia and France. These imports are distributed to over 14,000 food retail outlets, including over 9,000 wet market stalls.

    Although two supermarket chains (Welcome and ParknShop, with over 250 outlets each) account for 75% of all supermarket turnover, wet markets continue to play an important role in distribution and sales, but are losing sales to supermarkets, which are up to 54% of total retail sales in 2010 from 44% in 1995. However, considering that Mainland China provides 94% of the fresh pork, 100% of the fresh beef, 92% of vegetables and 66% of eggs consumed in HK, is food at a wet market actually any different than that bought at a supermarket? What choice do consumers really have? Is this reliance on imports and a supermarket duopoly sustainable? How much of that food is wasted along the food chain? How do these situations impact vulnerable populations, such as the 18% of residents who live below the poverty line? Can a focus on local production, food waste reduction, and food sovereignty, which is defined as “the right of peoples to healthy and culturally appropriate food produced through ecologically sound and sustainable methods, and their right to define their own food and agriculture systems” (La Via Campesina, 1996), address these questions and increase food security in Hong Kong?

    Although well established in the USA and Europe, support of local, organic food as a means to a self-sustaining, secure food supply, is relatively new in HK, given the statement in the December 2014 consultation document, “New Agricultural Policy: Sustainable Agricultural Development in HK”, that local agriculture is not a means of primary production. However, farmers and consumers are increasingly interested in locally produced, organic food either for direct purchase onsite, through farmer’s markets, in restaurants or through modified CSA programs such as Homegrown Foods. But with a total of only 2400 farms (540 classified as organic as of June 2015) on 700 hectares, 3800 hectares considered abandoned farmland and no accounting for the production of rooftop farms, local production was calculated as only 1.9% of fresh vegetables, 79.6% of live poultry and 6.1% of live pigs in 2014.

    The Fall 2014 speech by Secretary for Food & Health Dr Ko Wing-man acknowledged that “HK shares APEC’s goal of strengthening food security and fighting against the volatility of food prices”, however increasing the amount of local production was barely mentioned in the consultation document. It focused instead on a matching fund, establishing AgriParks and promoting local agriculture, not with targets for production increase (since a focus on quantity, rather than quality, would go against free market principles), but as a leisure activity that can provide employment and high quality, but low quantities of specialty foods through new technologies. This proposed focus does not acknowledge the potential risk of food unavailability and utilization due to the HK’s reliance on imports, especially from Mainland China, with its food safety issues, lack of hygiene standard enforcement, illegal and harmful food additives and the widespread use of chemical fertilizers and pesticides. These issues not only affect the food we eat but also impact the soil, air and water through agricultural run-off and air pollution from chemical manufacturing processes. Add to this cultural practices and inefficiencies in the food chain that lead to 3,337 tonnes/day of food being wasted (EPD, 2012) and ending up incinerated or in landfills, it becomes apparent that the current model of food supply in HK is not sustainable. It is time to support a food sovereignty approach, in combination with local production and food waste reduction, to increase food security in Hong Kong.

    editorial
    Car-free Sundays: A Hong Kong Edition?
    Ming Pao Weekly (in Traditional Chinese)
    March 29, 2016

    Melissa has published a short editorial in the Hong Kong magazine Ming Pao weekly advocating for the implementation of Car-free Sundays in Hong Kong. The full text is below or you can read it online (in English) here. Also see Yanni Chan’s piece for Hong Kong Magazine “Yes. We Can Have a Walkable Central” for a more in-depth look at the issue.
    {image 3articles}Umbrella Movement, October 2015 Image credit: Melissa Cate Christ

    Can we reoccupy and redesign Hong Kong’s streets to prioritize people over vehicles? It seems we can. For, as demonstrated by the transformation of key vehicular streets into dynamic pedestrian environments during the 2014 Umbrella Movement, Hong Kong’s urban landscape has the capacity to provide for the needs of a large number of people, from the essential to the environmental to the socio-political. Beyond evaluating the success or failure of the Movement’s political demand for ‘true universal suffrage’, the occupation reinvigorated a cultural awareness regarding Hong Kong’s perpetual spatial inequality and degraded living environment. The Umbrella Movement created a community, composed not just of those who support social and political equality, but also of those who support spatial equality and the possibility of prioritizing people over vehicles as a way to co-create a more liveable and sustainable city. The Movement’s tactical and nuanced occupation and traversal of spaces previously (and now, again) devoted to cars or restricted by rules and regulations to single uses can be seen as a provocative starting point to imagine strategies and tactics for the reprogramming of Hong Kong’s streets. One of those tactics is the re-implementation of car-free stretches of street or highway according to an internationally widespread practice, Car-free Sundays.

    The benefits of ‘car-free’ days in Hong Kong have already been proven. Blockading the streets during the Umbrella Movement was a tactic to force negotiation, but it also improved the environment in Hong Kong. Roadside pollution levels dropped over 40% during the protests according to the Clean Air Network, noise levels were significantly lowered and the closed streets became wide communal public spaces – giant sidewalks and plazas that accommodated every kind of pedestrian activity, from walking to skateboarding to eating to studying to sleeping. In addition to the environmental and social benefits, in Admiralty in particular, the ability to cross at grade and to walk or bike from Central to Causeway Bay, opened up a whole new logistical landscape and way to travel through the city which is faster, and more encouraging of a healthy, active lifestyle than the MTR, tram, bus, taxi or private vehicle.

    Can Hong Kong design its urban landscape to transform itself into a livable, healthy, walkable city? After this experiment in which a highway became a boulevard, and acknowledging the environmental and social benefits of pedestrianization, can we keep the momentum going to eventually transform Hong Kong’s streets and highways into ‘complete streets’, where safe access for all users is emphasized, where people are given priority over vehicles? In this future city, sidewalks are wider, fences are removed, crosswalks and signaled intersections are installed, roads are narrower, speed limits are lowered and space is made for benches, vegetation and chatting? All these are possible – if we can imagine Connaught or Nathan Road as a pleasant place to walk, other main thoroughfares (such as Caine or Garden Road on Hong Kong Island for a start) could be next.

    So to further test the viability of reducing traffic and to increase residents demand for a safe and healthy urban environment in Hong Kong, why not establish car-free Sundays? A weekly event would show Hong Kong’s commitment to improving the living environment of the city.Hong Kong’s public transit network is world famous for its investment model and efficiency, but in order to take the next step towards a sustainable future by reducing the speed, number and trips made by vehicles in the city, including buses, taxis and minibuses, people need to be able to walk, cycle and take other forms of non-motorized transport. Why not repeat every week what has already been shown during the Umbrella Movement: people want to walk from Central to Causeway Bay and that the cessation of vehicular traffic on those barricaded roads significantly improved air quality and significantly reduced noise pollution.

    There are precedents around the world for Car-free Sundays, including Jakarta, Seattle, San Francisco and Bogota. Hong Kong would have a number of models to choose from, some of which have led to the conversion of highways into boulevards and the implementation of permanent improvements which lowered speed limits and improved safety and air quality. In others, the closed or reduced streets act as temporary public spaces for festivals and gatherings, cafes, theatres or just chill-out spaces to meet and greet friends and family. With car-free Sundays, the people of Hong Kong would have the opportunity to connect with their neighbors and walk, bike, scoot, rollerblade, stroll, or dance in a pollution-free, spatially equitable environment. Occupying these spaces with people, rather than vehicles, is the first step towards making Hong Kong a truly equitable and liveable city. Its time for Car-free Sundays in Hong Kong.

  • reviews

    exhibition review
    Invisible islands
    MAP Office

    2013 Bi-City Biennale of Urbanism Architecture Hong Kong
    December 20, 2013 – February 28, 2014
    Kwun Tong Ferry Pier, Kowloon
    http://www.uabb.hk/

    Tucked away in a back corner of Kwun Tong’s North Point Ferry pier as part of the 2013-2014 HK architecture biannale, is a collection of plants, physical artifacts and photographic and filmic evidence which assemble a portrait of an often overlooked part of Hong Kong – the 260 outlying islands which were leased to the British in 1898, and are now part of the HKSAR. Map Office’s Laurent and Valerie have visited 33 of these islands, discovering a diverse range of environmental conditions, transient populations, eroding programs and forgotten histories; past, present and future.

    Their installation recalls the practice of the kunstkammer, the Victorian cabinet of curiosities. Constructed to display treasured evidence of lands far away, they contain meticulously assembled, labelled and displayed artifacts, the first findings of uncharted territories. Yet to be categorized, the artifacts seemingly random adjacencies create zones of intensity, each item a treasure, with its mystery still somewhat intact, but gesturing towards the possibility of revealing ontological and epistemological secrets when laid out in combination with the others.

    With the ambiance of a natural history museum in a small coastal town, waist high glass topped tables exhibit found objects, seashells and other errata, identified by hand printed labels with their name and site of discovery. This intimate, deceptively amateur tactic is complemented by the not quite lush representational context of potted palms and other tropical plants, wall hung photographs, looping video and windows painted to obscure views of the city, directing ones gaze down to the churning Victoria Harbour. The room is topped by a neon sign, reading, in cursive, “island is land”. Effected to transport the viewer to the room’s tropical doppelgänger, this recreation of moments of discovery acts as a representation or more accurately, a re-presentation of the experience itself, in all of its happenstance multiplicity of strange juxtapositions and unexpected constructions. Just as a shell or a fishing buoy can stand in for the activities involved in their creation and function, the installation as a whole acts simultaneously as a piecemeal simulacrum and as transformative device, with curatorial adjacencies hinting at the embedded potential richness of this expansive, seemingly isolated and ignored archipelago.

    exhibition review
    State of Mind
    Monica Tai

    October 8-13, 2014
    Visual Arts Centre, 7A Kennedy Road, Central.

    Monica Tai’s second solo exhibition in Hong Kong, State of Mind, is an exploration of the relation between the individual and the collective in both their communicative practices and the gestures that enable that communication. Not simply meant to evoke passive emotional responses, the work exposes the tension between an absent object and a focused subject as a way to activate an awareness of the present, often unacknowledged conditioning that modern technology and regulation has had on our lives. This conditioning is both a cause and desired effect of a modern, middle to upper class lifestyle, where hard work is (sometimes) rewarded with an ability to accumulate, often at the expense of the environment and our personal freedom. The negative effects of accumulation on our thinking may not surface or seem to matter at a personal level, but in sum, the state of mind with which we all approach our daily lives, and the practices and gestures that result from it, has had a massive effect upon the planet itself.

    This cumulative effect has been significant enough to require the naming of a new geological era, the anthropocene, to register the overwhelming impact of human activities on the climate and on planet Earth. But it is not just Earth that is affected, it is the very grounds of our relation to the earth, and to each other. In a recent essay by Bruno Latour, “Agency at the time of the Anthropocene”, the anthropocene is understood as a planetary inability to distinguish an environment separate from ourselves: we have lost the object, or perhaps more accurately, the subject and the object have collapsed into one another. “…the Earth is no longer “objective”; it cannot be put at a distance and emptied of all Its humans. Human action is visible everywhere— in the construction of knowledge as well as in the production of the phenomena those sciences are called to register”. [1]

    This construction of knowledge which is simultaneously a measure our own actions, is evident in Tai’s work, particularly through the activation of varying degrees of subjective intensity – the oscillation between isolation through passive consumption, and collaboration through focus on a specific goal, complicates the relation between the subject of the piece and the object itself that we are viewing. In Tai’s pieces, one or the other is missing, or are collapsed together, “objectivity” no longer possible. How can we work collaboratively while retaining our own identities? How do we expose and respond to our reflexive reactions to the increasingly regulated and isolating urban environment?

    This conflation of subject/object is apparent in several sets of thought provoking sculptural installations which are showcased as groups in different areas of the gallery. As an example, four slightly smaller than life figures are conjoined with everyday road signs and traffic control devices, merging graceful dance positions with urban objects. Entitled ‘compliant beings’, the works question our knee-jerk responses to our environment and tendency to follow the rules and asks how we can overcome our indoctrination through actions such as reflection and balance. In a set of life-size wooden hands, a cacophony of hand gestures are represented, questioning which is the speaker and which is the response – in fact is it a conversation at all or rather is meaning just lost in translation? It is through this exploration of body language and other notational strategies that Tai playfully and provocatively captures the in between states of mind which inhabit our thoughts, and reflexively determine our environment.

    [1] Bruno Latour (2014), “Agency at the time of the Anthropocene”, New Literary History, Vol. 45, 6.

  • food networks

    Food Networks
    food networks
    Food Networks is an ongoing research and documentation project which investigates the political economy and ecologies of historical and contemporary global and local food networks, with a focus on Hong Kong. The research and teaching frameworks have been developed with the support of a HKU Seed Fund Grant, a Teaching and Development Grant and in the context of the HKU Common Core Curriculum Course “You Food and City: Local and Global Food Networks”. The collected work of the course can be found here. Recent work supporting the development of the project is included below.

    August 23, 2016
    Recover and Reduce Food Waste: Crowdsourcing Surplus Food Recovery in Hong Kong
    RISUD Annual International Symposium 2016 – Smart Cities
    PolyU, Hong Kong

    Melissa presented an overview of her, Daisy Tam and Tomas Holderness’ collaborative project at PolyU’s multidisciplinary RISUD conference. From the paper abstract:
    This paper presents an in-progress project which aims to reduce the amount of food waste generated in Hong Kong. Through the consolidation and analysis of data concerning existing food rescue practices and the development of an open source platform that facilitates crowdsourced surplus food recovery, this research and technological demonstration project aims to enhance the city’s capacity to recycle surplus food.

    July 31, 2016
    Daisy Tam publishes article on HK food security in Chinese online magazine The Initium

    Daisy’s editorial 「看不見」的城市糧食安全危機 (roughly translates to [Invisible] Food Security Crisis) touches on issues of food security, poverty and food waste in Hong Kong. She also gave a related talk at the “Future of F&B in Hong Kong” networking lecture series at Metta to a packed house of HK’s F&B entrepreneurs.food networks
    Daisy Tam, Food Security in HK, Metta, HK. July 29, 2016

    June 27, 2016
    Planter workshop with Rooftop Republic
    French International School, Hong Kong

    At the invitation of Rooftop Republic as part of their educational programming, Melissa and Susanne Trumpf of in dialogue designed and organized a planter making workshop for secondary school students. Led by Susi, with preparatory work conducted at Maker Bay, the 3 hour workshop engaged students in making 50cm x 50cm x 50cm planters from reclaimed pallet wood, gaining valuable hands-on training in the use of power and hand tools, as well as in collaborative group work. The planters will be used at the school as part of their community garden. Drawing Credit: Susanne Trumpf. Photo credits: Rooftop Republic
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    December 6-10, 2015
    Listening to noise – people as sensors, enabling ethical food networks
    Agri-food XXII Conference
    Queenstown, New Zealand

    Melissa and Daisy Tam (Hong Kong Baptist University) will be presenting their paper co-written with Tomas Holderness (University of Wollingong), Listening to noise – people as sensors, enabling ethical food networks at the Agri-food XXII conference.

    Paper abstract:
    This paper looks at the individual in relation to urban food networks and explores the potential of the crowd as a means to enable a more ethical food system. The crowd is noise – dispersed individuals who are loose and unconnected. How can the crowd become a form of human-power sensor network that allows us to tune into the message? How can noise be used to challenge the existing system and allow for different sets of interdependencies to emerge? How can this model of commonality exist without collectivity? The import-distribute consume-dispose food system such as the one in Hong Kong is controlled by a handful of big players where individuals are relegated to their role as consumers. This paper explores alternatives that interrupt the linear model and allow disparate individuals to form collaborative practices for a more ethical food system. Ethics here is understood as a mode of operation, which articulates a set of relationships; it is a manner of being implicated in the provocation of actions; it is also generative, creating a series of radiating effect which impacts upon the community.

    October 6, 2015
    Food Security and the Commons: the case of Singapore
    GDAR1026 Food Culture and Society course
    Hong Kong Baptist University, Hong Kong

    Melissa was invited by Daisy Tam to present her paper on urban agriculture and food security in Singapore to undergraduate students from Baptist University. The course also includes hands-on gardening and site visits to Hong Kong organic farms.

    February 21, 2014
    Season Shift: Radical Phenology and the Global Economy of Food
    Lunchtime Public Lecture: HKU Division of Landscape Architecture
    DATE: Friday, 21 February 2014
    TIME: 1–2pm
    VENUE: KB622, 6/F Knowles Building, Pokfulam Road, the University of Hong Kong
    SPEAKER: Assistant Professor Melissa Cate Christ

    ABSTRACT:
    This talk presents initial research that seeks to understand our pervasive seasonal disassociation with respect to food. In particular, it highlights nodes of historical, technological and vernacular agencies and practices that have enabled the global food economy.

    This lecture is part of ‘The Lay of the Land’, a lecture series hosted by the HKU Division of Landscape Architecture focused on research in progress.

    November 27, 2013
    EXCESS launch
    Wednesday, 27 November, 2013
    6:30pm reception, 7-9pm discussion
    Broadway Cinematheque (next to Kubrick Cafe and Bookstore), Foyer area on 1/F
    Prosperous Garden, 3 Public Square Street, Yau Ma Tei, Kowloon
    kubrick.com.hk
    food networks
    To celebrate the launch of SCAPEGOAT’s 6th issue – Excess – please join us for a discussion with contributors Melissa Cate Christ and Seth Denizen, issue editor Etienne Turpin, and Hammad Nasar of the Asia Art Archive

    EXCESS: Consuming Hong Kong / Scapegoat Launch
    Lauded as a luxury capital, with the world’s highest per capita consumption rate of luxury goods thanks to Mainland Chinese tourists, Hong Kong is exemplary of the paradoxical relationship of excess and restriction. Haunted by myths of perpetual land scarcity, the valorization of imported goods, and a leisure culture of obsessive consumption, in Hong Kong land redevelopment policy and practice have prioritized revenue generation, shopping mall tourism and outdated models of public housing construction at the expense of both cultural and environmental heritage, and the potential for a more equitable, food-secure society.

    In a discussion moderated by Hammad Nasar of the Asia Art Archive, Scapegoat editor Etienne Turpin will present the concept “excess” — the theme of Issue 05 — as a lens which we can use to observe and assess relations of confinement and consumption, and as a provocation to intervene in these processes through activism, design, and other public platforms. Scapegoat contributors Seth Denizen and Melissa Cate Christ will then discuss, respectively, the shopping mall as a model for the therapeutic transformation of the subject, and the extreme environmental and social effects of our out-of-season desire for imported vegetables on the landscape of Almeria, Spain. These presentations will be followed by a conversation with the audience about the reciprocal relations between architecture and its adjacencies, the rise of cultural tourism, and the role of independent counter-practices in the context of Hong Kong. With this presentation and discussion, we hope the launch of Scapegoat 05 will provoke further conversations about expenditure, consumption culture, and cultural politics.

    From the editorial board:
    SCAPEGOAT: Architecture | Landscape | Political Economy is an independent, not-for-profit, bi-annual journal designed to create a context for research and development regarding design practice, historical investigation, and theoretical inquiry. As a mytheme, the figure of the scapegoat carries the burden of the city and its sins. Walking in exile, the scapegoat was once freed from the constraints of civilization. Today, with no land left unmapped, and with processes of urbanization central to political economic struggles, SCAPEGOAT is exiled within the reality of global capital. The journal examines the relationship between capitalism and the built environment, confronting the coercive and violent organization of space, the exploitation of labour and resources, and the unequal distribution of environmental risks and benefits. Throughout our investigation of design and its promises, we return to the politics of making as a politics to be constructed. www.scapegoatjournal.org

    From the issue introduction:
    SCAPEGOAT Issue 05 – Excess – Summer/Fall 2013 Ours is unquestionably a time of excess. While currencies and commodities continue to circulate and reify segregation and inequality throughout the global political economy, excess leaks out in all directions, sometimes fostering movements of resistance,at other times permitting improvisational opportunism among often neglected actors, and still at other moments irrevocably damaging ecologies and environments which we humans precariously but ruthlessly inhabit. The pleasures and perils of excess cross divisions of class, race, gender and sexuality, while also reinforcing aspects of these and other identities. Can we design for, or among, the excess of contemporary culture? How do practices of architecture and landscape architecture, as well as adjacent practices of art, installation, theory, typography, suggest ways to amplify, capture, or redirect excess?

    Melissa Cate Christ is an Asst. Professor of Landscape Architecture at the University of Hong Kong and director of transverse studio.
    Seth Denizen is a writer and landscape architect, currently teaching at the University of Hong Kong.
    Hammad Nasar is a writer, curator and the Head of Research and Programmes at the Asia Art Archive, Hong Kong.
    Etienne Turpin is a writer and curator living and working in Jakarta, Indonesia. He is a founder and contributing editor of Scapegoat.

    November 23, 2013
    Without Exteriority/Excessive Urbanism
    EXCESS launch: Shanghai
    Saturday November 23
    3-5pm discussion, 5-7 reception
    Shanghai Study Centre – more info
    WITHOUT EXTERIORITY: ARCHITECTURE AFTER THE URBAN-RURAL DICHOTOMY
    By 1973, Raymond Williams’ The Country and the City had already located fundamental contradictions in the urban, academic image of rural life. For Williams, the rural was a myth functioning as a memory of the origins of the city; yet, despite his prescient analysis, the myth of a natural, conflict-free, rural space outside the city remains a compelling image even in our contemporary discourse. Following the continuing discussion of the rural-urban relation in China, initiated this year through the programming of the HKU Shanghai Study Center, this event introduces several new perspectives on architecture after the urban-rural divide.

    In a discussion moderated by Daan Roggeveen and Xiaoyu Weng, Scapegoat editor Etienne Turpin will present the project of “Excess” as a means to better examine the past and present of urban-rural assemblages. Journal contributors Seth Denizen and Melissa Cate Christ will discuss, respectively, the therapeutic role of the pastoral in the psychosocial history of American urbanism, and the explosive growth of the garden as factory in Spain’s miracle economy. These presentations will be followed by a further discussion of China’s rural growth and its implications for designers and planners. If, as Peter Sloterdijk has suggested, the planet of terrestrial globalization has itself become a world interior of capital, we must examine how this global transition has entangled America, Europe, and Asia in a hyper-productive paradox of perpetual growth and the attendant crises of resource depletion, biodiversity loss, and megacity pollution. With this presentation and discussion, we hope our launch of Scapegoat Issue 05 will provoke conversations about excess, expenditure, and this architecture without exteriority.

    Participants
    Study Center Moderator _ Daan Roggeveen, director
    Guest Moderator _ Xiaoyu Weng, writer and curator
    Participants _ Seth Denizen, contributor _ Melissa Cate Christ, contributor _ Etienne Turpin, editor

    See a video of the discussion here.

    September 24, 2013
    This Garden of the Sun: A Report on Almería’s Miracle Economy
    Melissa Cate Christ
    {image 25}
    As part of Melissa’s ongoing research on the political economies and ecologies of global food production sites, networks and systems, her article “This Garden of the Sun: A Report on Almería’s Miracle Economy” has been published in Issue 05: SCAPEGOAT: Architecture | Landscape | Political Economy. You can download a pdf of the article here.

    August 22-25, 2013
    Food Security and the Commons
    Beyond Borders: Building a Regional Commons in Southeast Asia: 3rd International Conference on International Relations and Development (ICIRD 2013)
    Chulalongkorn University, Bankok, Thailand

    As part of the panel Agriculture, Food Security and the Commons in ASEAN, chaired by Dr. George Michael Hayes, Melissa will be presenting her recent research on Singaporean local food production in relation to regional food security policy in the paper “Food Security and the Commons in ASEAN: the role of Singapore” on August 22, 2013. For more information on the panel see here and on the conference see here.

    food networks
    Melissa’s abstract:
    Since the conception of the ASEAN Integrated Food Security (AIFS) Framework in 2008, ASEAN member states have taken steps to implement the components and strategic thrusts laid out in the AIFS Framework. These actions can be seen as contributing to the development of a regional “commons” which is based on prioritizing the right of “all people, at all times, [to] have physical and economic access to sufficient, safe and nutritious food to meet their dietary needs and food preferences for an active and healthy life” (FAO 1996). Although a wide range of conditions exist with regard to this right across the ASEAN member states, as a net-food importing country which imports 90% of its food from a limited number of sources, in this paper Singapore is presented as a case study for the increasing importance of taking a commons perspective on food supply and security. The paper is particularly concerned with actions to diversify food sources, increase local food production and promote food and agro-based industry, research, and development. In the context of a highly urbanized population with limited land and natural resources, the paper argues that those seeming disadvantages can serve to benefit both the local and wider community.

    Initially part of a design research project to discover, document, and test potential strategies to address Hong Kong’s situation as a net-food importing territory which relies on a limited number of sources – 95% of its food is imported and 60% of that comes from Mainland China – this paper traces the recent history of food security policies and actions in Singapore with respect to increasing local production. The paper examines several case studies that demonstrate the application of the AIFS framework, in particular the development of research, technology and community resources for urban agricultural production. The paper concludes with a reflection on Singapore’s role in providing for a food secure future for itself, and by extension, the entire region.

    Food Networks of Hong Kong
    ‘Food Networks of Hong Kong’ is a research initiative that documents the systems, nodes, and networks of food supply, distribution, and waste recovery in Hong Kong in order to map out Hong Kong’s ‘foodprint’. It also researches the relation between local and global food networks through case studies looking at approaches to food security in other cities/regions as well as sites of distribution and production.

  • step up (without permission)

    March 15, 2019
    Book Launch
    STEP UP-Hong Kong stairs as productive public spaces
    O2 Hair Studio, Wa In Fong East Terrace, adjacent to the Shing Wong Street stairs
    6:30pm

    step up (without permission)step up (without permission)step up (without permission)

    Please join us for the long awaited launch of the book STEP UP - Hong Kong stairs as productive public spaces
    Published by transverse studio & MOSSES
    Bilingual; 60 pages
    With an introductory essay by Melissa Cate Christ

    Part exhibition catalogue, part archive, and part provocation, this publication documents step up!, a 2013 pop-up exhibition of site-specific performances, events, and art and architecture installations that were situated on an essential pedestrian infrastructure typology – the staircase. The works reflected on conflict, ownership, responsibility and cultural occupation as a way to celebrate the uniqueness and complexity of Hong Kong’s urban fabric. Visit the refurbished exhibition website here and purchase the book here. For additional information or enquires about purchasing the book, please contact Melissa Cate Christ at melissa@transversestudio.com.

    The informal launch will start at 6:30pm, 15 March 2019 in the 30 Houses neighborhood, at 02 Hair Studio, located on Wa In Fong East Terrace, adjacent to the Shing Wong Street stairs. Books will be also available for purchase, and the artists and publishers will be on hand, along with drinks and snacks. Join us to celebrate Hong Kong’s stair culture, grassroots communities, and cultural heritage!

    Google map here: G/f, 17 Wa In Fong East, Central, HongKong.

    October 2016
    step up publication nearing completion
    Publication design: Edited
    Editors: Anita Dawood and Melissa Cate Christ

    Stay tuned for details on our book launch in 2017!step up (without permission)
    Above: Selected pages of the publication draft proof

    December 7, 2013
    step up!
    a celebration of HK stairs through art, theatre, dance, design and community initiatives
    December 7-15, 2013

    Opening tour by Melissa Cate Christ: December 7, 4pm
    Join me on a walk from Wan Chai’s Dominion Garden to Tai Ping Shan to tour the installations which are part of step up! and experience Hong Kong’s unique Stair Culture.
    More information on the installations and performances can be found at https://stepuphk.wordpress.com/
    and on facebook
    part of very hong kong
    step up (without permission)